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It was based on the comics of Yasuji Tanioka. No animated clips from this film exist online. Do It! Yasuji’s Pornorama (Japan, 1971)Directed by Takanori Miwa and Shinichiro Takakuwa.
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The chasm between Western and Japanese animation has never been more evident than in the feature animation category of this year’s Academy Awards: the four Western nominees are unmistakably geared towards children, whereas the sole Japanese contender, Hayao Miyazaki’s The Wind Rises, tackles challenging subject matter that acknowledges the intelligence of adult viewers. Japanese filmmakers, on the other hand, were just getting started, and they have continued to explore mature subject matter and themes to this day. The diversity of graphic approaches was impressive: some of the films made pretensions to high art ( Belladonna of Sadness) while others aspired to match the energy of underground comix ( Dirty Duck, Shame of the Jungle).īy the early-Eighties, the West disavowed their experiments with this type of content and returned its focus to producing safe family-oriented fare. Some of the films incorporated sexual content tastefully as part of a broader narrative, such as the Swedish animation/live-action combo Out of an Old Man’s Head (1968), while others like Once Upon a Girl treated their erotic contents as might be expected of a pimply fourteen-year-old hornball. Andy Mangels edited issues #14 to #25 and a special issue featuring Barela Mangels changed the title to Gay Comics starting with issue #15, in part to divest it of the “underground” implications of “comix”.Įxcerpts from Gay Comix were included in a 1989 anthology titled Gay Comics.For a brief decade-long period in animation history, between the late-1960s and late-1970s, feature animation filmmakers cast aside their inhibitions and created films that aimed to titillate and shock audiences with the novelty of sexual cartoon imagery. The first four issues were edited by Cruse issues #5 through #13 were edited by Triptow. Kitchen Sink Press published the first five issues of Gay Comix thereafter it was published by Bob Ross, publisher of the Bay Area Reporter gay newspaper. Lee Marrs and Trina Robbins, two of the original members of the Wimmen’s Comix Collective. Syndrome, Satyr, and the cover of issue #3 Robert Triptow, editor of issues #5 through 13īurton Clarke, creator of Cy Ross and the S.Q.
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Howard Cruse, editor of the first four issues
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Roberta Gregory, who created Dynamite Damsels (1976), the first lesbian underground serial comic book, and the character Bitchy Bitch Mary Wings, creator of the first one-off lesbian book Come Out Comix (1972) and Dyke Shorts (1976)Īlison Bechdel, who created Dykes to Watch Out For and whose graphic novel Fun Home was adapted into a Tony Award-winning Broadway musical All three editors made a deliberate effort to feature work by both women and men.Īrtists producing work for Gay Comix included
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It is generally less sexually explicit than the similarly-themed (and male-focused) Meatmen series of graphic novels. The contents of Gay Comix were generally about relationships, personal experiences, and humor, rather than sex. Gay Comix also served as a source for information about non-mainstream LGBT-themed comics and events. Autobiographical themes include falling in love, coming out, repression, and sex. Much of the early content was autobiographical, but more diverse themes were explored in later editions. Created by Howard Cruse, Gay Comix featured the work of primarily gay and lesbian cartoonists. Gay Comix (later spelled Gay Comics) is an underground comics series published from 1980–1998.